Our Journal

Our Journal

Published by Berghahn Books, Sartre Studies International has the aim to become the focus of an international reassessment of the relevance and validity of Sartrean ideals and aspirations to a contemporary world that seems disturbingly far from them. It will act as the principal forum in the English-speaking world for debates on Sartre as well as Sartrean studies—theoretical, literary and political projects inspired by Sartre. It will publish articles of a multidisciplinary, cross-cultural and international character reflecting the full range and complexity of Sartre’s own interests.

We invite articles on Sartre, reinterpretations of his work, close textual analyses, readings of recently published works, comparisons of Sartre and other writers, and critiques of Sartre’s thought. We also invite political, literary, philosophical and biographical essays motivated by Sartre, which use his thought as well as other intellectual tools, to explore the meanings of our culture and social life.

In particular, the journal will give prominence to the views of the leading Sartre specialists in the world today, and will assess the significance of Sartre’s philosophical, political, literary and cultural ideas to the 1990s and beyond. It will seek to extend and enrich the debate on Sartrean ideas through comparative analysis with other major contemporary intellectual figures. The journal will also bring to the attention of an English-speaking readership previously untranslated work on Sartre, and highlight the achievements of writers and intellectuals influenced by his seminal ideas. In addition, each number of the journal will contain reviews of recently published books devoted to Sartrean studies and a Notice board of recent and forthcoming events such as conferences, publications and media broadcasts linked to Sartre’s life, work and intellectual legacy.

Sartre Studies International: Volume 17, Number 1, Spring 2011

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Philosophy in Black: African Philosophy as a Negritude pp. 1-19(19) Author: Jacques, Tomaz Carlos Flores Abstract African philosophy, as a negritude, is a moment in the postcolonial critique of European/Western colonialism and the bodies of knowledge that sustained it. Yet a critical analysis of its’ original articulations reveals the limits of this critique and more broadly of postcolonial studies, while also pointing towards more radical theoretical possibilities within African philosophy. Jean-Paul Sartre’s essay...

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Sartre Studies International: Volume 16, Number 2, Winter 2010

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Celebrating the Critique’s Fiftieth Anniversary pp. 1-16(16) Author: Aronson, Ronald Abstract When published, Sartre’s Critique of Dialectical Reason appeared to be a major intellectual and political event, no less than a Kantian effort to found Marxism, with far-reaching theoretical and political consequences. Claude Levi-Strauss devoted a course to studying it, and debated Sartre’s main points in The Savage Mind ; Andre Gorz devoted a major article to explaining its importance and key concepts in New Left...

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Sartre Studies International: Volume 15, Number 2, Winter 2009

Posted by on Jul 23, 2010 in News, SSI | 0 comments

Table of Contents Nausea, Melancholy and the Internal Negation of the Past pp. 1-16(16) Author: Clayton, Cam Untrue to One’s Own Self: Sartre’s The Transcendence of the Ego pp. 17-34(18) Author: Garcia, Iker Thinking Things: Heidegger, Sartre, Nancy pp. 35-53(19) Author: Morin, Marie-Eve Sartre & the Other: Conflict, Conversion, Language & the We pp. 54-77(24) Author: Rae, Gavin Sartre’s Theater of Resistance: Les Mouches and the Deadlock of Collective Responsibility pp. 78-95(18) Author: Ryder, Andrew Book...

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Sartre Studies International: Volume 16, Number 1, Spring 2010

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Existentialism and Art-Horror pp. 1-23(23) Author: Hanscomb, Stuart Abstract This article explores the relationship between existentialism and the horror genre. Noël Carroll and others have proposed that horror monsters defy established categories. Carroll also argues that the emotion they provoke – ‘art-horror’ – is a ‘composite’ of fear and disgust. I argue that the sometimes horrifying images and metaphors of Sartre’s early philosophy, which correlate with nausea and anxiety, have a...

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